Nakatsu-miya is the middle shrine of the three main buildings comprising Enoshima Shrine, located on Enoshima Island in Sagami Bay. This vermillion shrine building is dedicated to Ichikishimahime-no-mikoto and is famous for its association with entertainment, music, and good fortune. The shrine offers spectacular views of the surrounding coastline and is a popular destination for both pilgrims and tourists visiting the historic island.
Dedicated to Ichikishimahime-no-Mikoto, one of the three sister goddesses of Enoshima Island, this shrine serves as the middle sanctuary in the sacred triad that comprises Enoshima Shrine. Worshippers come here seeking blessings for entertainment, performing arts, and good fortune, as the enshrined kami is believed to bestow artistic talents and success in creative endeavors. The vermillion-lacquered buildings, rebuilt in 1996, house precious cultural artifacts and serve as a spiritual center where visitors pray for prosperity in the arts and protection during their island pilgrimage.
- Denomination
- Benzaiten
- Religion
- shinto
- Enshrined kami
- Ichikishimahime-no-mikoto
- Kami enshrined
- Ichikishimahime-no-mikoto
- Founding
- Asuka period
- Coordinates
- 35.2994173, 139.4802298
Visitor tip
Visit during sunset for breathtaking views of Mount Fuji and Sagami Bay from the shrine grounds.
Cultural notes
Enoshima Shrine is deeply connected to the legend of the goddess Benzaiten taming a five-headed dragon that had been terrorizing the local population. The shrine complex represents the marriage between the goddess and the dragon, symbolizing the harmony between destructive and creative forces. The three shrines - Henjin-miya, Nakatsu-miya, and Okutsumiya - together form one of Japan's three great Benzaiten shrines.
Historical note
Nakatsu-miya was established as part of the broader Enoshima Shrine complex, which has roots dating back to the 6th century when the island was said to have risen from the ocean. The shrine became particularly associated with Benzaiten worship during the medieval period, blending Shinto and Buddhist traditions. The current buildings were reconstructed in modern times, maintaining the traditional architectural style while serving as the central worship hall of the three-shrine complex.